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So yes, another quality release from Crazy Love Records (Guido really has an ear for quality) with this, the sophomore album from The Rocket Beats. But what appears to be the music industry's pet hate, is our subcultural secret which sticks two fingers up at them triumphantly.
Yet, it has survived on its own merits while being blacklisted by the "music press".
Within music's broad spectrum of genres and styles, psychobilly has to be thee most ignored one of all.
It's testament to the talent that exists within the realms of psychobilly's self-contained world I suppose. Fuck knows how such an underground scene can still produce bands like this, putting their own stamp on things with that classic, minimalist ensemble of guitar, drums and slap bass. Bands like Les Crabs, The Scallywags, The Scannerz.that kinda thing. Speaking of which, she's an excellent slap bassist too! They're reminiscent of that wave of bands that came from Europe in the mid 1980s. But what sets them apart from the usual psychobilly brigade is the inclusion of quality female backing vocals (and lead vocals on one track). Evil, sci-fi themed psychobilly sounds are order of the day here. Russia has produced some top class bands over the years and The Rocket Beats maintain that high standard. My nipples were plain to be seen poking out through my shirt whilst listening to this album, the second outing from Russia's Rocket Beats.